They’d stopped releasing singles after December 1968 and had followed their second album, that year’s A Saucerful Of Secrets, with a soundtrack for the art house movie More. The early Pink Floyd had embraced the unexpected and the concept of being, as drummer Nick Mason put it, “more than just a pop group”. They arrived in Rome to start recording in November ’69. Italian director Michelangelo Antonioni had commissioned Pink Floyd to score his next film, Zabriskie Point. But, as a whole it’s awful schmaltzy and a little vapid.An album that ended with a cow in a field in Potters Bar, Hertfordshire, began over a year before in Rome. And, there are sounds that draw pictures. As Impressionism, it’s occasionally effective, but on a very imitative level. It turns out to be an Impressionist orchestral sketch of (I think) a morning that includes some rock elements. The best that can be said for it is that it’s craftsman-like and that in spite of its many parts, it’s an entity. They use orchestral elements and a choir. Their last album, Ummagumma, while a bit drawn-out, had all their best elements.Ītom Heart Mother is a step headlong into the last century and a dissipation of their collective talents, which are considerable. ![]() Pink Floyd used sounds no one else thought of and could make them lyrical besides. Most other groups, when they thought in terms of electronics, thought only of painful feedback. And their music, if it wasn’t memorable, reached into the limits of their experimentation. ![]() Their use of a third, rear, sound source anticipated quadraphonics. Their work in the electronic capabilities of rock was more advanced than most people recognize. At one time, Pink Floyd was far-out, freaky even.
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